
Finalist for the 2024 Leonard Cohen Poetry Prize
Good Girl
It starts soft—a hymn stretched thin
across the headlights of a truck on an empty road.
Then, it alters. As a child, —half prayer,
half warning: I was an angel. Yet, I remember
pressing my lips to the mouth of the villain
on that static on the screen. When I was older, I left
it all on Valentine’s Day. I stood alone, staring
at Venus at The MET, her belly is a full moon
above a graveyard, Cupid overhead
like an afterthought. Another night
arrives, a shadow of the same old song. I crave
the affirmation: good girl. So tell me to undress,
as Titian’s waiting Venus, tell me to wait
at the window—lover who left
his wife, tuning his Spanish guitar, his voice
is the ocean’s blue-dark mouth, empty
of fish and shipwrecks. Tell me again, I’m still
a girl, mouthing the old prayers and cupping my hands.
A story in Islam goes: a prostitute dipped her shoe
into a well for a thirsty dog. One good deed and God’s grace fell
around her in warm rain. I just want that one drop of mercy
on a long stain. But I can’t fast on holy days; I’m bound
by this hunger. This god feeds on meat fat, sardines, black
olives, and the sap of rotted pears. I devour so much
whole: bodies, skin, and their sharp seeds. I am uncontained.
The rind is the rule, bitter and unbreakable—
promises of lush, hidden interiors. Now, even the dawn
pulls its hand back. If only goodness were mine to claim.

Jai Hamid Bashir is a South Asian-American artist. Her work has been featured in POETRY, American Poetry Review, The Rumpus, The Arkansas International, Black Warrior Review, Denver Quarterly, and Virginia Quarterly Review. A graduate of Columbia University, she now lives and writes in the American West with her partner. Her chapbook "Desire/Halves" is set to be published in Fall 2024.